Sunday, July 17, 2016
The Help
WHITE AUTHORS of BLACK CHARACTERS
In the course of our book
club evening Thursday, Carla Damron mentioned an associate who was interested in or
had written Southern fiction. Since the black community’s push-back following
the publication of The Help
by white author Karthryn Stockett, Damron noted that white authors taking on black characters won’t be published
today.
I can add my experience to
that observation. When I was searching for an agent for my slave novel Kedzie, I had two interviews with
literary agents at a conference of the SC Writers Workshop held at Myrtle
Beach, SC. One agent, can’t remember the names, said she “couldn’t sell it in
New York” because I’m white. This was a revelation to me. I had no idea I had
stumbled into being politically incorrect. During the same weekend, a second
agent, in answer to my question about the manuscript and my race, hesitated before
she said it could be sold “if it’s good enough.” Her hesitation and manner said
more than her words.
It was not long thereafter
that I realized my novel had about as much chance of being published in the USA
as a reporter’s exposé of corruption in the Kremlin had in Russia. I
self-published Kedzie, Saint Helena
Island Slave in 2011.
Whether or not The Help “distorts, ignores, and
trivializes the experiences of black domestic workers” as claimed by the Association of Black Women Historians, their
reaction has had far reaching influence on the publishing industry. That it
discourages whites from attempting a black perspective is an unintended
consequence, I hope.
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