Me, this morning |
Sometimes you just have to rant to keep your sanity. My sanity has been put to the test by my publisher's questionnaire regarding the upcoming release of a fiction book. In the list of questions:
1) List any potential reviewers, publications, and media outlets that you can contact who might be willing to publish a review, article, or announcement about your book.
2) List libraries, booksellers, and other venues who may host a book event for you.
3) you’ll need to talk about your book to groups and individuals, market your book on your website, social networks, and by other methods.
PROVIDE YOUR OWN MARKETING
Maybe I’m overreacting, but my impression is that the publisher isn’t just asking for assistance in marketing my book, it’s asking me to do all the marketing. From my previous experience, none of my publishers called me regarding a possible appearance or a possible interview or book signing. Not once.
INDEPENDENT PUBLISHER DILEMMA
The publisher here is a small independent publisher, which is where any unknown writer has an outside chance of getting their book published. Though independent publishers may be struggling to survive in a commercial environment that is toxic, to cut costs by cutting marketing is self-defeating, not just for their authors but for their own financial well being.
DO I HAVE FANS?
Do publishers realize that first time authors don’t have fans? We don’t belong to a hundred organizations. We don’t hobnob with literati. We don’t host socials. We have no clout.
CLOUT IS THE ISSUE
Publishers have clout, if they choose to use it. Who is more likely to get a book signing scheduled at Barnes & Noble—me (an unknown person) or a publisher (even an unknown one)? The mere fact that a publisher makes the call provides legitimacy, one that no beginning author can muster regardless of how wonderful the book.
LONG TERM EFFECT
When publishers cut the marketing department from the budget, their bottom line will look good in the short term, but the long term consequences are dismal. Publishers can only thrive if their authors thrive. And emerging authors can only thrive with marketing support from publishers.
An even more disappointing consequence is that some of the most creative and talented writers do not have a chance to reach an audience (despite enthusiastic promises from the self-publishing sector). We’ll blaze no new literary trails given the current environment.
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